From The NY Times
By Frank Rich

So much for a July Fourth week spent in idyllic celebration of our country’s birthday. This year’s festivities were marked instead by a debate — childish, not constitutional — over who is and isn’t patriotic. The fireworks were sparked by a verbally maladroit retired general, fueled by two increasingly fatuous presidential campaigns, and heated to a boil by a 24/7 news culture that inflates any passing tit for tat into a war of the worlds.

Let oil soar above $140 a barrel. Let layoffs and foreclosures proliferate like California’s fires. Let someone else worry about the stock market’s steepest June drop since the Great Depression. In our political culture, only one question mattered: What was Wesley Clark saying about John McCain and how loudly would every politician and bloviator in the land react?

Unable to take another minute of this din, I did what any sensible person might do and fled to the movies. More specifically, to an animated movie in the middle of a weekday afternoon. What escape could be more complete?

Among its other attributes, this particular G-rated film, “Wall-E,” is a rare economic bright spot. Its enormous box-office gross last weekend swelled a total Hollywood take that was up 20 percent from a year ago. (You know America’s economy is cooked when everyone flocks to the movies.) The “Wall-E” crowds were primed by the track record of its creator, Pixar Animation Studios, and the ecstatic reviews. But if anything, this movie may exceed its audience’s expectations. It did mine.

As it happened, “Wall-E” opened the same summer weekend as the hot-button movie of the 2004 campaign year, Michael Moore’s “Fahrenheit 9/11.” Ah, the good old days. Oil was $38 a barrel, our fatalities in Iraq had not hit 900, and only 57 percent of Americans thought their country was on the wrong track. (Now more than 80 percent do.) “Wall-E,” a fictional film playing to a far larger audience, may touch a more universal chord in this far gloomier time.

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