From Tom Dispatch
By Tom Engelhardt

It may finally be 2009, but in some ways, given these last years, it might as well be 800 BCE.

From the ninth to the seventh centuries BCE, the palace walls of the kings who ruled the Assyrian Empire were decorated with vast stone friezes, filled with enough dead bodies to sate any video-game maker and often depicting — in almost comic strip-style — various bloody royal victories and conquests. At least one of them shows Assyrian soldiers lopping off the heads of defeated enemies and piling them into pyramids for an early version of what, in the VCE (Vietnam Common Era) of the 1960s, Americans came to know as the “body count.”

So I learned recently by wandering through a traveling exhibit of ancient Assyrian art from the British Museum. On the audio tour accompanying the show, one expert pointed out that Assyrian scribes, part of an impressive imperial bureaucracy, carefully counted those heads and recorded the numbers for the greater glory of the king (as, in earlier centuries, Egyptian scribes had recorded counts of severed hands for victorious Pharaohs).

Hand it to art museums. Is there anything stranger than wandering through one and locking eyes with a Vermeer lady, a Van Eyck portrait, or one of Rembrandt’s burghers staring out at you across the centuries? What a reminder of the common humanity we share with the distant past. In a darker sense, it’s no less a reminder of our kinship across time to spot a little pyramid of heads on a frieze, imagine an Assyrian scribe making his count, and — eerily enough — feel at home. What a measure of just how few miles “the march of civilization” (as my parents’ generation once called it) has actually covered.

Read more Body Count Presidency